In the summer of 2018, Diego Marcon travelled to Austria to visit the home museum of the writer Thomas Bernhard, whose work he admires for its wry bleakness. ‘No one makes me laugh like him,’ Marcon ...

Leonardo Bigazzi Over the past 15 years, as the notion of spectatorship has evolved in tandem with how we experience moving images – from vast screens in public settings to tiny devices held in the ...